{"id":11730,"date":"2011-04-16T10:41:42","date_gmt":"2011-04-16T17:41:42","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=11730"},"modified":"2011-04-25T01:20:36","modified_gmt":"2011-04-25T08:20:36","slug":"stone-in-the-galilee-2011-in-maalot-tarshiha","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=11730","title":{"rendered":"Stone in the Galilee 2011 in Maalot-Tarshiha"},"content":{"rendered":"
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Igal Miron working on his sculpture "Swing" - rough side facing.\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Maalot-Tarshiha<\/a> occupies a unique place in the Israeli urban landscape, with roughly 250 sculptures displayed throughout the city, the legacy of the sculpture symposium \u201cStone in the Galilee<\/strong>.\u201d Now in its 21st year, Stone in the Galilee will take place from April 20 \u2013 24, 2011, with music, theatre, story-time for children and workshops throughout the days of the festival from noon to night. Opening night events on Wednesday, April 20, 2011, will include a performance by Knesiat Haseche<\/a>l (The Church of Reason) and the ethnic rock band Druze<\/a>.<\/p>\n

11 artists were selected from a short-list of 35 finalists to spend three weeks in Maalot-Tarshiha, creating the stone sculptures that will be completed during the festival. The theme for this year is \u201cstone in motion\u201d and each artist has developed his or her own interpretation and response. This year\u2019s cohort of sculptors includes: Ebru Akinci from Turkey, Aleksandre Phophkhadze from Georgia, Shigeru Hayashida from Japan, Maftei Ion from Romania, Li Chao from China, Mikhail Levchenko from the Ukraine, Kamen Tanev from Bulgaria and Roy Givati, Jamal Hassan, Igal Miron, and Yoram Afek from Israel. On a recent visit to Maalot-Tarshiha, I took a walk through their outdoor work area by Lake Monfort and chatted with the artists.<\/p>\n

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Roy Givati\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Israeli Roy Givati has lived in Italy for the past 10 years, first studying painting in Florence, and then studying restoration in the mornings and sculpture in the evenings in Carrera where he lives and works today. Although he was drawn to the hills of Carrera, to live amid the stone, Roy would like to return to Israel. Recreating in stone the resilience and flow of movement of fabric in the wind, he showed me the sketch for his sculpture.<\/p>\n

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Roy Givati - sketches.\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n
\"\"<\/a>
Jamal Hassan with "Waltz Dance"\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Jamal Hassan, painter, sculptor and art teacher at Atid College in Yarka (Druze village northeast of Acco) is working on a sculpture called \u201cWaltz Dance\u201d an abstraction of two figures, dancing. \u201cThe sound of stone in the ear is associated with something static, heavy, rough,\u201d said Hassan, \u201cI am trying to create a situation of movement. I think one must find a dialogue between the sculptor, stone and implement. Not to attack the stone but to flow with it.\u201d<\/p>\n

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Aleksandre Phophkhadze\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

\u201cIt is very beautiful here,\u201d said Aleksandre Phophkhadze from Georgia. His teacher participated in last year\u2019s symposium and told him about it. Phophkhadze usually sculpts in different materials, stone, wood and metal. He is currently working on a sculpture of three dolphins.<\/p>\n

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Ebru Akinci\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n
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Ebru Akinci's model for "River"\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Ebru Akinci from Istanbul, is working on a sculpture titled: River. She usually works with stone, sometimes with wood or bronze. This is Akinci\u2019s first visit to Israel and she says that so far, \u201cI see that our cultures are very similar to each other.\u201d<\/p>\n

\"\"<\/a>
Igal Miron with "Swing" - the smooth side.\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Igal Miron from Kibbutz Ayelet Hashahar is participating in the symposium for the third time; he was a judge in the first Stone in the Galilee symposium in 1992.\u00a0 \u201cI am raising an issue for discussion,\u201d said Igal, \u201csculpture always sways between very refined designs and those that are wild and free\u2026 sometimes you can\u2019t even tell that a sculpture is made of stone. I like to let the stone speak.\u201d The design for his sculpture \u201cSwing\u201d is a half circle, one side will be very smooth and the other wild and rough, with a stone balancing at one end of the semi-circle. Looking at the model, I asked if the finished work will actually swing. \u201cIf it will be possible,\u201d said Miron, explaining that due to the large dimensions of the sculpture, it is not clear if it will be able to be free to move for safety reasons. However, Miron is making a few smaller works relating to the theme that will be mobile. \u201cFrom the moment I was born I remember being involved in this \u2013 painting, sculpting, it\u2019s part of me, part of what I do,\u201d said Miron, \u201cAn artist is someone who can\u2019t live without creating art. With me, it\u2019s usually the idea that defines the material. I want to make sure that the idea receives the expression that suits it best.\u201d Therefore, Miron works with a wide range of materials and techniques.<\/p>\n

\"\"<\/a>
David Afek and his model for "Ladder"\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Yoram Afek\u2019s \u201cLadder\u201d will go up one side and down the other with colorful inlay. Afek usually works in iron and likes to combine different materials in a single sculpture. Teaching at the Kibbutz Seminar in Tel Aviv and Beit Berl, Afek said he is enjoying the experience \u201cTo have two weeks to myself to create.\u201d He notes that \u201cthe art world can be very aggressive, competitive, with egos clashing, here, artists from all over the world meet and work side by side.\u201d<\/p>\n

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Taking a break\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n
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Moshe Perelman\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Sculptor Moshe Perelman initiated the symposium in 1992. \u201cI had participated in such symposiums in France and Italy,\u201d said Perelman, \u201cand I wondered why we don\u2019t have something like this in Israel.\u201d He brought the idea to Shlomo Buhbut, Mayor of Maalot-Tarshiha, and recalls, \u201cI showed him pictures, he got the budget for it, and we had our first symposium.\u201d Yet the early days were not without their problems. \u201cIt\u2019s hard to introduce art to the public,\u201d said Perelman, \u201cwe\u2019d come in the morning and find sculptures with pieces broken off \u2013 now the kids are the best guardians of the sculpture. We made art education happen through this symposium.\u201d<\/p>\n

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Noga Migdal outside the Apter Barrer Art Center\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Noga Migdal, Curator of this year\u2019s symposium and Director of the Apter Barrer Art Center, said that there are plans to create a sculpture part around Lake Monfort to provide a better display for the many sculptures in the city. In tandem with the symposium, there will be an exhibit of 15 Israeli sculptors at the Apter-Barrer Center, which will open on April 20, 2011 at 20:00. There will also be art workshops at the Center during the days of the festival, in addition to the festivities taking place on the Lake.<\/p>\n

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Mayor Shlomo Buhbut at the Apter Barrer Art Center in Maalot-Tarshiha\/Photo: Ayelet Dekel<\/figcaption><\/figure>\n

Shlomo Buhbut, Mayor of Maalot-Tarshiha,\u00a0 is justly proud of the city\u2019s accomplishments, in addition to the annual sculpture symposium the city is very involved in sports, with ice hockey, an international fencing tournament, and an international mountain-biking competition, as well as DocAviv Galil, a festival of documentary films, initiated two years ago as a northern offshoot of DocAviv.<\/p>\n

Keep up to date with the sculptor\u2019s progress on Maalot-Tarshiha\u2019s website<\/a>. For more information, call: 04-9578871\/68.<\/p>\n","protected":false},"excerpt":{"rendered":"

Maalot-Tarshiha occupies a unique place in the Israeli urban landscape, with roughly 250 sculptures displayed throughout the city, the legacy of the sculpture symposium \u201cStone in the Galilee.\u201d Now in its 21st year, Stone in the Galilee will take place from April 20 \u2013 24, 2011, with music, theatre, story-time for children and workshops throughout […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-11730","post","type-post","status-publish","format-standard","hentry","category-art"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/11730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11730"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/11730\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}