{"id":14097,"date":"2011-08-10T08:40:58","date_gmt":"2011-08-10T15:40:58","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=14097"},"modified":"2011-08-12T02:53:31","modified_gmt":"2011-08-12T09:53:31","slug":"gvanim-bemahol-2011-opens-in-september","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=14097","title":{"rendered":"Gvanim BeMahol 2011 Opens in September"},"content":{"rendered":"<figure id=\"attachment_14104\" aria-describedby=\"caption-attachment-14104\" style=\"width: 599px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/artur-astman_alexander-sherbakof.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14104\" title=\"artur astman_alexander sherbakof\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/artur-astman_alexander-sherbakof.jpg\" alt=\"\" width=\"599\" height=\"399\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/artur-astman_alexander-sherbakof.jpg 599w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/artur-astman_alexander-sherbakof-300x199.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/a><figcaption id=\"caption-attachment-14104\" class=\"wp-caption-text\">Artur Astman - FOOSHO\/Photo: Alexander Sherbakof<\/figcaption><\/figure>\n<p>Gvanim BeMahol 2011 (Shades of Dance) will take place from September 7 \u2013 10, 2011 at the Suzanne Dellal Centre in Tel Aviv. New Artistic Director <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=8913\" target=\"_blank\">Idit Herman<\/a>, co-founder of Clipa Theatre, selected 16 choreographers from among the 90 who attended the first audition. Working in a diverse range of styles and themes, Herman said that the choreographers she interviewed expressed a common \u201cdesire to effect change, they wanted a kind of revolution.\u201d Ultimate, says Herman, those she selected were the \u201cbrave, the ones who wanted to go all the way.\u201d<\/p>\n<p>Gvanim will have five programs, each with a different perspective on dance.<\/p>\n<figure id=\"attachment_14099\" aria-describedby=\"caption-attachment-14099\" style=\"width: 356px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/sharon-vaisvaser_araleh.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14099\" title=\"sharon vaisvaser_araleh\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/sharon-vaisvaser_araleh.jpg\" alt=\"\" width=\"356\" height=\"532\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/sharon-vaisvaser_araleh.jpg 356w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/sharon-vaisvaser_araleh-200x300.jpg 200w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><\/a><figcaption id=\"caption-attachment-14099\" class=\"wp-caption-text\">Sharon Vaisvasser - 42 Inch\/Photo: Araleh<\/figcaption><\/figure>\n<p><strong>Program Aleph<\/strong> \u2013 Pure Dance \u2013 will include choreographers who \u201cwork within the rules of choreography,\u201d said Herman, \u201cThere will be lots of virtuoso movement.\u201d Choreographers: Gil Carlos Harush \u2013 Takana; Smadar Goshen \u2013 Urbania; Sharon Vaisvaser \u2013 42 Inch.<\/p>\n<figure id=\"attachment_14103\" aria-describedby=\"caption-attachment-14103\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/ran-ben-dror_sara-ben-dror.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14103\" title=\"ran ben dror_sara ben dror\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/ran-ben-dror_sara-ben-dror.jpg\" alt=\"\" width=\"298\" height=\"448\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/ran-ben-dror_sara-ben-dror.jpg 298w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/ran-ben-dror_sara-ben-dror-199x300.jpg 199w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><figcaption id=\"caption-attachment-14103\" class=\"wp-caption-text\">Ran Ben Dror - Agassi Palace\/Photo: Sara Ben Dror<\/figcaption><\/figure>\n<p><strong>Program Bet<\/strong> \u2013 Dream Big \u2013 Herman characterized this group as \u201cdaring artists with chutzpah, who break every possible convention.\u201d<br \/>\nChoreographers: Idan Yoav \u2013 Almost Human; Ran Ben Dror \u2013 Agassi Palace; Lee Meir \u2013 Translation in the Body of the Text; Yuval Goldstein \u2013 Expensive Shit.<\/p>\n<figure id=\"attachment_14100\" aria-describedby=\"caption-attachment-14100\" style=\"width: 594px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/meytal-blanaru_julie-betrad.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14100\" title=\"meytal blanaru_julie betrad\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/meytal-blanaru_julie-betrad.jpg\" alt=\"\" width=\"594\" height=\"539\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/meytal-blanaru_julie-betrad.jpg 594w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/meytal-blanaru_julie-betrad-300x272.jpg 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/a><figcaption id=\"caption-attachment-14100\" class=\"wp-caption-text\">Meytal Blanaru - Aurora\/Photo: Julie Betrad<\/figcaption><\/figure>\n<p><strong>Program Gimel<\/strong> \u2013 The Future is Now \u2013 \u201cIf there is such a thing as Futuristic Dance, then this is it,\u201d said Herman, \u201cemploying movement that I, at least, have not seen before.\u201d<br \/>\nChoreographers: Meytal Blanaru \u2013 Aurora; Moran Yitzhaki Abergel \u2013 Over me; Lilach Livneh \u2013 Monday Larissa.<\/p>\n<figure id=\"attachment_14102\" aria-describedby=\"caption-attachment-14102\" style=\"width: 599px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/yonatan-southi_gadi-dagon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14102\" title=\"yonatan southi_gadi dagon\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/yonatan-southi_gadi-dagon.jpg\" alt=\"\" width=\"599\" height=\"398\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/yonatan-southi_gadi-dagon.jpg 599w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/yonatan-southi_gadi-dagon-300x199.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/a><figcaption id=\"caption-attachment-14102\" class=\"wp-caption-text\">Yoni Soutchy - Ben\/Photo: Gadi Dagon<\/figcaption><\/figure>\n<p><strong>Program Daled<\/strong> \u2013 Forbidden Fruit. This is the one Herman calls \u201csex, drugs and rock \u2018n roll\u201d featuring works that she says are \u201cvery provocative.\u201d<br \/>\nChoreographers: Yoni Soutchy \u2013 Ben; Merav Cohen \u2013 And When the Beast Returned; Amit Zamir \u2013 Buba (Doll).<\/p>\n<figure id=\"attachment_14098\" aria-describedby=\"caption-attachment-14098\" style=\"width: 596px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/liron-ozeri_kobi-ben-sasson.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14098\" title=\"liron ozeri_kobi ben sasson\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/liron-ozeri_kobi-ben-sasson.jpg\" alt=\"\" width=\"596\" height=\"397\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/liron-ozeri_kobi-ben-sasson.jpg 596w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2011\/08\/liron-ozeri_kobi-ben-sasson-300x199.jpg 300w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/a><figcaption id=\"caption-attachment-14098\" class=\"wp-caption-text\">Liron Ozeri - Caravans\/Photo: Kobi Ben Sasson<\/figcaption><\/figure>\n<p><strong>Program Heh<\/strong> \u2013 A Rare Animal. In this group are choreographers who Herman says have \u201cresearched deeply the physical border between human and animal, they are performers of rare physical abilities, almost beyond human.\u201d<br \/>\nChoreographers: Liron Ozeri \u2013 Caravan; Ido Batash \u2013 Bread and Circuses Blood; Artur Astman \u2013 Foosho.<\/p>\n<p>Mark your calendars! Further information is available on the <a href=\"http:\/\/www.suzannedellal.org.il\" target=\"_blank\">Suzanne Dellal Centre site<\/a>, and tickets may be ordered online, or call: 03-5105656.<\/p>\n<p>Held once every two years, Gvanim has launched the careers of many prominent Israeli choreographers, including: Liat Dror and Nir Ben Gal, Tamar Borrer, Inbal Pinto, Barak Marshall, Yasmeen Godder, Emanuel Gat, Ronit Ziv, Shlomi Bitton, Anat Danieli, Renana Raz, Noa Wertheim and Adi Sha\u2019al, Itzik Galili, Sally Ann Friedland, Yoram Karmi and Yossi Yungman. Gvanim began in the city of Ramleh in 1986 as a joint initiative of Omanut La\u2019am and Israel Discount Bank cultural projects, and from there the festival moved to the Duhl Centre in Tel Aviv. With the establishment of the Suzanne Dellal Centre for Dance in 1989, the festival found a permanent home. The festival\u2019s past directors have been Elida Gera, Naomi Perlov and Hanoch Ben Dror.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gvanim BeMahol 2011 (Shades of Dance) will take place from September 7 \u2013 10, 2011 at the Suzanne Dellal Centre in Tel Aviv. New Artistic Director Idit Herman, co-founder of Clipa Theatre, selected 16 choreographers from among the 90 who attended the first audition. Working in a diverse range of styles and themes, Herman said [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-14097","post","type-post","status-publish","format-standard","hentry","category-dance"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/14097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14097"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/14097\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}