{"id":1842,"date":"2009-10-16T00:48:37","date_gmt":"2009-10-16T07:48:37","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=1842"},"modified":"2010-04-30T00:49:23","modified_gmt":"2010-04-30T07:49:23","slug":"curtain-up-festival-2009-celebrating-20-years","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=1842","title":{"rendered":"Curtain Up Festival 2009: Celebrating 20 Years"},"content":{"rendered":"<p>The \u201cCurtain Up\u201d Festival at Suzanne Dellal looks to the future, raising the curtain on emerging choreographers. Celebrating its 20th anniversary, the festival has invited prominent Israeli choreographers who took some of their first choreographic steps at the festival to be the artistic directors for this year\u2019s event. Each of the 6 participating choreographers selected an emerging choreographer to showcase, resulting in six programs of paired premieres, with performances from November 24 \u2013 December 5th at Suzanne Dellal in Tel Aviv and December 8 \u2013 14th at the Rebecca Crown Auditorium in Jerusalem.<\/p>\n<p>Special guest of this year\u2019s festival is Inbal Pinto and Avshalom Pollak\u2019s Dance Company, with the Israeli premiere of \u201cTrout\u201d on December 7, at Suzanne Dellal. <!--more-->\u201cTrout\u201d was created in Stavanger, Norway and is performed with live music by Kitchen Orchestra, a Norwegian collective. Taking place in an uncommon space, created to look like the inside of a well or flooded basement, which becomes a meeting place for the characters portrayed by the dancers, actors, musicians, singers and even the walls, who play an important role in the piece.<\/p>\n<p>The festival program will include:<\/p>\n<p>Curtain 1: Nimrod Freed Hosts Anat Grigorio and Dafi Eltabab<\/p>\n<figure id=\"attachment_1846\" aria-describedby=\"caption-attachment-1846\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NimrodFreed_ItamarFReed.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1846\" title=\"NimrodFreed_ItamarFReed\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NimrodFreed_ItamarFReed-300x200.jpg\" alt=\"Subtext: Nimrod Freed\/Photo: Itamar Freed\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NimrodFreed_ItamarFReed-300x200.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NimrodFreed_ItamarFReed.jpg 473w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1846\" class=\"wp-caption-text\">Subtext: Nimrod Freed\/Photo: Itamar Freed<\/figcaption><\/figure>\n<p>Subtext: Nimrod Freed<br \/>\nThe life underneath our lives. Two dancers and an actor dance in one frame, whose parts change constantly and rapidly, charged with repressed emotions. Set to music by J. S. Bach.<\/p>\n<p>Daydream: Anat Grigorio<br \/>\nOpening up to a world that extends the moment between sleeping and waking, blurring the familiar border, loving to daydream\u2026<\/p>\n<figure id=\"attachment_1853\" aria-describedby=\"caption-attachment-1853\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/DafiEltabab_GadiDagon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1853\" title=\"DafiEltabab_GadiDagon\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/DafiEltabab_GadiDagon-300x199.jpg\" alt=\"Under the Rug: Dafi Eltabab\/Photo: Gadi Dagon\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/DafiEltabab_GadiDagon-300x199.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/DafiEltabab_GadiDagon.jpg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1853\" class=\"wp-caption-text\">Under the Rug: Dafi Eltabab\/Photo: Gadi Dagon<\/figcaption><\/figure>\n<p>Under the Rug: Dafi Eltabab<br \/>\nA glimpse into the lives of four women, in their intimate space: exposes situations that are not spoken of. Old fears, feelings that have been stored deep within, under the rug.<\/p>\n<p>Suzanne Dellal: 25.11.09 at 21:00, 3.12.09 at 21:00<br \/>\nRebecca Crown Auditorium: 10.12.09<\/p>\n<p>Curtain 2: Vertigo Hosts Elad Shechter<\/p>\n<p>Mana: Noa Wertheim<br \/>\nA work that deals with the essence of creation; containing a polarized world. The inspiration of basic shapes, a line and circle, that can also be interpreted as male\/female, presence\/absence, empty\/full, black\/white, created a unique movement language that employs a spiral structure that gains velocity and symbolizes increasing energy, and growth.<\/p>\n<p>Roni: Elad Shecter<br \/>\nA work which deals with social codes that govern our contemporary reality. Shechter takes feelings of dominance and aggression as his starting point, which, according to him, have gained control over our lives in areas such as: social and romantic relationships, security, economics, and culture.<\/p>\n<p>Suzanne Dellal: 26.11.09 at 21:00, 6.12.09 at 21:00<br \/>\nRebecca Crown Auditorium: 11.12.09 at 13:00<\/p>\n<p>Curtain 3: Yasmeen Godder Hosts Iris Erez<\/p>\n<figure id=\"attachment_1847\" aria-describedby=\"caption-attachment-1847\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YasmeenGodder_TamarLam.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1847\" title=\"YasmeenGodder_TamarLam\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YasmeenGodder_TamarLam-300x289.jpg\" alt=\"LOVE FIRE: Yasmeen Godder\/Photo: Tamar Lam\" width=\"300\" height=\"289\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YasmeenGodder_TamarLam-300x289.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YasmeenGodder_TamarLam.jpg 537w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1847\" class=\"wp-caption-text\">LOVE FIRE: Yasmeen Godder\/Photo: Tamar Lam<\/figcaption><\/figure>\n<p>LOVE FIRE: Yasmeen Godder<br \/>\nThe work was entirely created on familiar waltzes and deals with the romantic aesthetic of music through a private, personal prism, and endeavors to be unconditionally swept away. Through its cultural and personal distance from the music the work undertakes a humorous and convoluted journey between identities and different emotional layers, in search of \u201cthe romantic.\u201d In this work Godder continues her ongoing collaboration with dramaturg Itzik Giuli and dancer Eran Shani. This is her first collaboration with visual artist Yohai Mattus, who creates a plastic-performance response to the work in his personal visual language.<\/p>\n<figure id=\"attachment_1848\" aria-describedby=\"caption-attachment-1848\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IrisErez_ItayMAROM.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1848 \" title=\"IrisErez_ItayMAROM\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IrisErez_ItayMAROM-300x201.jpg\" alt=\"Namibia: Iris Erez\/Photo: Itay Marom\" width=\"300\" height=\"201\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IrisErez_ItayMAROM-300x201.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IrisErez_ItayMAROM.JPG 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1848\" class=\"wp-caption-text\">Numbia: Iris Erez\/Photo: Itay Marom<\/figcaption><\/figure>\n<p>Numbia: Iris Erez<br \/>\nAn investigation of the site of bodily ruin exposes a spirit that seeks to forget or create for itself a substitute memory. The body as a textual space upon which human life is written. The dancers turn to their bodies and, like archeologists, try to reach these experiences through the signs that remain.<\/p>\n<p>Suzanne Dellal: 27.11.09 at 22:00, 5.12.09 at 21:00<br \/>\nRebecca Crown Auditorium: 14.12.09 at 20:00<\/p>\n<p>Curtain 4: Tel Aviv Dance Company Hosts Michael Miler<\/p>\n<figure id=\"attachment_1849\" aria-describedby=\"caption-attachment-1849\" style=\"width: 200px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YaaraDolev_GadiDagon2.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1849\" title=\"YaaraDolev_GadiDagon2\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YaaraDolev_GadiDagon2-200x300.jpg\" alt=\"Blossom: Yaara Dolev\/Photo: Gadi Dagon\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YaaraDolev_GadiDagon2-200x300.jpg 200w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/YaaraDolev_GadiDagon2.JPG 320w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1849\" class=\"wp-caption-text\">Blossom: Yaara Dolev\/Photo: Gadi Dagon<\/figcaption><\/figure>\n<p>Blossom: Yaara Dolev<br \/>\nA piece for seven dancers and an artist\u00a0 &#8211; Jeremy Hoffman \u2013 that centers on passion, the desire to blossom, to collapse and develop, the wonders of nature and human nature.<\/p>\n<figure id=\"attachment_1850\" aria-describedby=\"caption-attachment-1850\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/MichaelMiler_GadiDagon.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1850\" title=\"MichaelMiler_GadiDagon\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/MichaelMiler_GadiDagon-300x199.jpg\" alt=\"Number 6: Michael Miler\/Photo: Gadi Dagon\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/MichaelMiler_GadiDagon-300x199.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/MichaelMiler_GadiDagon.JPG 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1850\" class=\"wp-caption-text\">Number 6: Michael Miler\/Photo: Gadi Dagon<\/figcaption><\/figure>\n<p>Number 6: Michael Miler<br \/>\nThe work is about: multiple events, human awareness and music in six parts.<\/p>\n<p>Suzanne Dellal: 28.11.09 at 21:00, 1.12.09 at 21:00<br \/>\nRebecca Crown: 12.12.09 at 20:30<\/p>\n<p>Curtain 5: Noa Dar Hosts Maya Brinner and Irad Mazliah<br \/>\nAll three choreographers suggest different points of reference to situations of uniformity as opposed to individuality, static vs. change.<\/p>\n<figure id=\"attachment_1851\" aria-describedby=\"caption-attachment-1851\" style=\"width: 200px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaDar_TmarLam.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1851\" title=\"NoaDar_TmarLam\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaDar_TmarLam-200x300.jpg\" alt=\"Us: Noa Dar\/Photo: Tamar Lam\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaDar_TmarLam-200x300.jpg 200w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaDar_TmarLam.jpg 259w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1851\" class=\"wp-caption-text\">Us: Noa Dar\/Photo: Tamar Lam<\/figcaption><\/figure>\n<p>Us: Noa Dar<br \/>\nNoa Dar examines the individual\u2019s potential for freedom in confrontation with a policing group which enforces conformity and uniformity.<\/p>\n<p>The Red Line: Maya Brinner<br \/>\nA trio for three female dancers. Three identical women seek individuality in a world dominated by beauty and power, precision and competition.<\/p>\n<figure id=\"attachment_1852\" aria-describedby=\"caption-attachment-1852\" style=\"width: 200px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IradMazliah_TamarLam.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1852\" title=\"IradMazliah_TamarLam\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IradMazliah_TamarLam-200x300.jpg\" alt=\"Unter den linden: Irad Mazliah\/Photo: Tamar Lam\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IradMazliah_TamarLam-200x300.jpg 200w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/IradMazliah_TamarLam.jpg 237w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1852\" class=\"wp-caption-text\">Unter den linden: Irad Mazliah\/Photo: Tamar Lam<\/figcaption><\/figure>\n<p>Unter den linden: Irad Mazliah<br \/>\nIrad Mazliah tracks the moment in which opposites merge and change takes place: is it possible to stop and probe deeply something that is in motion, or is it better to let it continue to move and let go of the need for control and comprehension.<\/p>\n<p>Suzanne Dellal: 29.11.09 at 21:00, 2.12.09 at 21:00<br \/>\nRebecca Crown Auditorium: 8.12.09 at 20:00<\/p>\n<p>Curtain 6: Niv Sheinfeld and Oren Laor Host Noa Shadur<\/p>\n<figure id=\"attachment_1861\" aria-describedby=\"caption-attachment-1861\" style=\"width: 240px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NivSheinfeldOrenLaor.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1861\" title=\"NivSheinfeldOrenLaor\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NivSheinfeldOrenLaor.jpg\" alt=\"Big Mouth: Niv Sheinfeld &amp; Oren Laor\/Photo: Gadi Dagon\" width=\"240\" height=\"160\" \/><\/a><figcaption id=\"caption-attachment-1861\" class=\"wp-caption-text\">Big Mouth: Niv Sheinfeld &amp; Oren Laor\/Photo: Gadi Dagon<\/figcaption><\/figure>\n<p>Big Mouth: Niv Sheinfeld and Oren Laor<br \/>\nNiv Sheinfeld and Oren Laor invited dancer\/choreographer Keren Levi (Kibbutz Contemporary Dance Company and Bat Sheva Ensemble) to take part in creating their new piece. The creators and their work spin into dizzying journey of episodes and images that reveal the internal contradiction between the desire to find one\u2019s place within a particular framework and feel at one with it, and the desire to be released from it in order to achieve self-expression.<\/p>\n<figure id=\"attachment_1864\" aria-describedby=\"caption-attachment-1864\" style=\"width: 240px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaShadur_Jewboy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1864\" title=\"NoaShadur_Jewboy\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2009\/10\/NoaShadur_Jewboy.jpg\" alt=\"Into the Night: Noa Shadur\/Photo: Jewboy\" width=\"240\" height=\"180\" \/><\/a><figcaption id=\"caption-attachment-1864\" class=\"wp-caption-text\">Into the Night: Noa Shadur\/Photo: Jewboy<\/figcaption><\/figure>\n<p>Into the Night: Noa Shadur<br \/>\nThe work deals with the gap between the tragic reality of death and its melodramatic theatrical representation. Dealing with clich\u00e9 and melodrama emphasizes our helplessness in confronting death.<\/p>\n<p>Suzanne Dellal: 30.11.09 at 21:00, 4.12.09 at 22:00<br \/>\nRebecca Crown Auditorium: 13.12.09 at 20:00<\/p>\n<p>The festival enables choreographers who do not work with an established dance company to create new work in a supportive environment, free of logistic and financial concerns. \u201cCurtain Up\u201d is initiated and supported by the Department of Dance in the Ministry of Culture and Sport, chaired by Nilly Cohen. The festival is produced by the Israel Festival, headed by Yossi Gan Tal. Producer: Miri Manirav.<\/p>\n<p>Top photo image credit: &#8220;Trout&#8221; Inbal Pinto Dance Company\/Photo: Asaf Ashkenazi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cCurtain Up\u201d Festival at Suzanne Dellal looks to the future, raising the curtain on emerging choreographers. Celebrating its 20th anniversary, the festival has invited prominent Israeli choreographers who took some of their first choreographic steps at the festival to be the artistic directors for this year\u2019s event. Each of the 6 participating choreographers selected [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1842","post","type-post","status-publish","format-standard","hentry","category-dance"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/1842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1842"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/1842\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}