{"id":20089,"date":"2012-06-25T10:53:16","date_gmt":"2012-06-25T17:53:16","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=20089"},"modified":"2012-06-30T07:50:37","modified_gmt":"2012-06-30T14:50:37","slug":"inbetween-intimadance-13-tmuna-theatre-july-2012","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=20089","title":{"rendered":"inbetween \u2013 Intimadance #13 Tmuna Theatre July 2012"},"content":{"rendered":"
\"\"<\/a>
Nava Zuckerman\/Photo: Gadi Dagon<\/figcaption><\/figure>\n

\u201cI\u2019m not afraid to fail,\u201d said Nava Zuckerman, founder and artistic director of Tmuna Theatre<\/a>, and that is what makes Tmuna one of the most interesting venues I know. Zuckerman is not afraid of experimentation, controversy or failure, and Intimadance, an annual festival of dance works created in response to a different theme each year, reflects this approach.\u00a0 The works are not intended to be \u201ccrowd pleasers,\u201d and that is perhaps why I enjoy this festival so much. For the choreographers, it\u2019s a chance to engage deeply with their art and focus on the process. I may not like everything I see, but I am rarely bored, often surprised, and I always have fun.<\/p>\n

\"\"<\/a>
Irad Mazliah\/Photo: Gadi Dagon<\/figcaption><\/figure>\n

Intimadance will take place from July 5 \u2013 8, 2012, under the guidance of co-artistic directors Nava Zuckerman and Irad Mazliah. This year\u2019s theme is \u201cinbetween.\u201d Now in its 13th year, the festival has certainly come of age and the choice of theme was inspired by this transitional moment between past and future, between remembering and forgetting.\u00a0 15 choreographers will present new works (in two programs), performed in different parts of the theatre, with the audience moving from one space to another.<\/p>\n

Intimadance will host two guest performances: \u201cAnd Mr\u201d choreographed by Rachel Erdos and performed by dancers\/ creators Ido Tadmor and Stefan Ferry on July 6th at 18:00, and \u201cWarriors in Silence\u201d choreographed by Michael Getman, Leo Lerus and Roy Assaf on July 7th at 18:00. \u201cCinema Moves\u201d videodance works relating to different cultural perspectives in the Middle East collected by Moshe Engel (originally created for the Zurich Moves festival), with films from Iran, Iraq, Morocco,\u00a0 Israel and the U.S. will be shown as the festival\u2019s closing event on July 8th.\u00a0 \u201cMy Age of Silence,\u201d a video created by Dorit Guy, will be on exhibit in the foyer.<\/p>\n

The festival will be presented in two programs at Tmuna Theatre, 8 Soncino Street, Tel Aviv. To order tickets, call: 03-5611211.<\/p>\n

Intimadance 1<\/strong> includes works by: Gavriel Newhouse, Shelly Palmon, Anat Arbel, Sally Ann Friedland, Sharon Vazana, Alice Dor Cohen and Maya Yogel. Intimadance 1 will be presented on July 5th at 20:00; July 6th at 14:00, and July 8th at 20:00.<\/p>\n

Intimadance 2<\/strong> includes works by: Oded Tzadok, Yonatan Soutchy, Yuval Goldstein, Ohad Fishof, Olivia Court-Mesa, Jason Danino Holt, Dana Ruttenberg, Merav Cohen and Smadar Yaaron. Intimadance 2 will be presented on July 6th at 20:00; and July 7th at 14:00 and 20:00.<\/p>\n

A preview of short scenes from several works took place at Tmuna last week, the intensity and diversity of Intimadance can be seen in Gadi Dagon\u2019s photos from the event:<\/p>\n

\"\"<\/a>
Ayala Frenkel in D.R.A.F.T. by Dana Ruttenberg\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
D.R.A.F.T. by Dana Ruttenberg\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Ayala Frenkel and Dana Ruttenberg in D.R.A.F.T. by Dana Ruttenberg\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Almost a Mensch by Maya Yogel\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Almost a Mensch by Maya Yogel\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Almost a Mensch by Maya Yogel\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Open Mouth by Shelly Palmon\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Open Mouth by Shelly Palmon\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Open Mouth by Shelly Palmon\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
The Woman I Could Have Been by Jason Danino Holt\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
The Woman I Could Have Been by Jason Danino Holt\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
The Woman I Could Have Been by Jason Danino Holt\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Ravid Abarbanel in Red Fields by Sharon Vazana\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Ravid Abarbanel in Red Fields by Sharon Vazana\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Ravid Abarbanel in Red Fields by Sharon Vazana\/Photo: Gadi Dagon<\/figcaption><\/figure>\n

 <\/p>\n

\"\"<\/a>
Omer Uziel in Romeo & Juliet by Yuval Goldstein\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Yuval Goldstein and Omer Uziel in Romeo & Juliet by Yuval Goldstein\/Photo: Gadi Dagon<\/figcaption><\/figure>\n
\"\"<\/a>
Romeo & Juliet by Yuval Goldstein\/Photo: Gadi Dagon<\/figcaption><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cI\u2019m not afraid to fail,\u201d said Nava Zuckerman, founder and artistic director of Tmuna Theatre, and that is what makes Tmuna one of the most interesting venues I know. Zuckerman is not afraid of experimentation, controversy or failure, and Intimadance, an annual festival of dance works created in response to a different theme each year, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-20089","post","type-post","status-publish","format-standard","hentry","category-dance"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/20089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20089"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/20089\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}