{"id":20131,"date":"2012-06-25T11:45:39","date_gmt":"2012-06-25T18:45:39","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=20131"},"modified":"2012-06-25T11:45:39","modified_gmt":"2012-06-25T18:45:39","slug":"the-musical-offering-to-maria-teresa-agnesi-conference-concert","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=20131","title":{"rendered":"The Musical Offering to Maria Teresa Agnesi – Conference & Concert"},"content":{"rendered":"

Asked to name three contemporary Israeli women composers, my guess is that most people, and this writer is no exception, would be stumped. One does not often encounter concerts that feature the works of women composers. \u2018The Musical Offering to Maria Teresa Agnesi\u2019 \u2013 a one day conference and concert presented by The Israeli Women Composers Forum on Wednesday, July 4, 2012, sounds like an excellent way to become better acquainted with this body of work. The event will take place at the Felicja Blumenthal Music Centre from 17:30 \u2013 22:30.<\/p>\n

\"\"<\/a><\/p>\n

The panel discussion \u201cFemale Perspective of Post Modernism\u201d is free and open to the public, as is Prof. Pinuccia Carrer\u2019s lecture on \u201cDonna Teresa Agnesi, her life and work.\u201d The concert will feature compositions by Maria Teresa Agnesi (ca 1748) as well as contemporary women composers. To order tickets for the concert, call: 03-6201185\/6201323.<\/p>\n

The full program:<\/p>\n

17.30:\u00a0\u00a0 Reception<\/p>\n

18.00:\u00a0\u00a0 Opening of the conference
\nLily Boulanger \u2018Matin du printemps\u2019, Yoel Culiner(flute),Tal-Haim\u00a0 Samnon (piano)
\nin collaboration with Buchmann- Mehta School of Music<\/p>\n

\u2018Female perspective of postmodernism\u2019, panel led by Dr. Ronit Seter (Israel-USA) with\u00a0 participation of Dr. Gila Carcas(Israel), Dr. Hagar Kadima(Israel), Prof. Pinuccia Carrer (Italy)<\/p>\n

19.30: Lecture: \u2018Donna Teresa Agnesi, her life and work\u2019 , Prof. Pinuccia Carrer<\/p>\n

21.00: \u2018The musical offering to Maria Teresa Agnesi\u2019
\nProgram:
\nMaria Teresa\u00a0 Agnesi \u2018Non Piangete, amati\u00a0 rai\u2019, (ca 1748)\u00a0 transcription for soprano, recorder, violin,\u00a0 cello and\u00a0 cembalo
\nEva Lopszyc (Argentina) \u2019Nuove voci nel corso del tempo\u2019 (2012) for recorder, violin and cembalo
\nHila Ostrover-Tamir,\u00a0 \u2019 Ra\u2019ad \u2019 (2012) for recorder solo
\nFlorie Namir \u2018Her beloved eyes\u2019 (2012) for recorder, violin, cello and cembalo
\nAlona Epshtein \u2018Canon perpetum e trio\u2019 (2012) for recorder, violin, cello and cembalo
\nAdaya Godlevsky \u2018Aria\u2019 (2012) for soprano, recorder,\u00a0 violin ,\u00a0 cello and cembalo
\nDina Smorgonskaya \u2018Suite in Baroque\u00a0\u00a0 Style\u2019 (2006) for\u00a0\u00a0 recorder, cello and cembalo
\nAnna Bon,\u00a0\u00a0 Sonata in Bb major\u00a0 op2\/2\u00a0 (1757) for cembalo solo
\nAnat Pick \u2018Dabri, dabri\u2019 for voice solo (2012)
\nDganit Elyakim \u2018Variation on nuclear\u00a0\u00a0 threat\u2019\u00a0\u00a0 for laptop solo (2012)
\nMaria Teresa Agnesi \u2018Non piangete, amati\u00a0 rai\u2019 for soprano, recorder, violin, cello and cembalo<\/p>\n

Performers:
\nTal Ganor (soprano), Natalia Wieseltier (soprano), Prof. Evgenia\u00a0 Epshtein\u00a0 (violin),
\nDr. Marina Minkin(cembalo),Inbar Solomon(recorder), Dan Weinstein (cello),
\nAnat Pick (voice artist),Dganit Elyakim (laptop), Taum Karni (conductor and rehearsals\u00a0 director)<\/p>\n

Producer:\u00a0 Alona Epshtein<\/p>\n

Felicja Blumenthal Music Centre ,26 Bialik, Tel-Aviv
\nTickets: 03-6201185\/03-6201323<\/p>\n

For more information\/to support projects of Israeli Women Composers Forum, they may be contacted via the Felicja Blumenthal Music Centre: 03-6201185 or\u00a0 www.fbmc.co.il<\/p>\n","protected":false},"excerpt":{"rendered":"

Asked to name three contemporary Israeli women composers, my guess is that most people, and this writer is no exception, would be stumped. One does not often encounter concerts that feature the works of women composers. \u2018The Musical Offering to Maria Teresa Agnesi\u2019 \u2013 a one day conference and concert presented by The Israeli Women […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,6],"tags":[],"class_list":["post-20131","post","type-post","status-publish","format-standard","hentry","category-culture","category-music"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/20131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20131"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/20131\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}