{"id":22262,"date":"2012-10-11T02:37:42","date_gmt":"2012-10-11T09:37:42","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=22262"},"modified":"2012-10-12T09:09:49","modified_gmt":"2012-10-12T16:09:49","slug":"popper","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=22262","title":{"rendered":"Popper"},"content":{"rendered":"<figure id=\"attachment_22267\" aria-describedby=\"caption-attachment-22267\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-and-katz-nadav-asulin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22267\" title=\"popper and katz nadav asulin\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-and-katz-nadav-asulin.jpg\" alt=\"\" width=\"586\" height=\"391\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-and-katz-nadav-asulin.jpg 586w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-and-katz-nadav-asulin-300x200.jpg 300w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/a><figcaption id=\"caption-attachment-22267\" class=\"wp-caption-text\">Popper (Yaniv Biton) and his good friend Katz (Nadav Asulin)\/Photo: Elizur Reuveni<\/figcaption><\/figure>\n<p>The Cameri production of Hanoch Levin&#8217;s Popper, directed by Moni Moshonov with original music by Omer Klein and choreography by Zahi Patish, takes a light-hearted look at the landscape Levin knows so well: the petit-bourgeoisie living lives of petty concerns and paltry joys.<\/p>\n<figure id=\"attachment_22269\" aria-describedby=\"caption-attachment-22269\" style=\"width: 545px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/s-and-s.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22269\" title=\"s and s\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/s-and-s.jpg\" alt=\"\" width=\"545\" height=\"567\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/s-and-s.jpg 545w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/s-and-s-288x300.jpg 288w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/a><figcaption id=\"caption-attachment-22269\" class=\"wp-caption-text\">Schwartz (Itzik Cohen) and Schwartzisca (Irit Kaplan)\/Photo: Elizur Reuveni<\/figcaption><\/figure>\n<p>Schwartz (Itzik Cohen) and Schwartzisca (Irit Kaplan) are a happily married couple, Popper (Yaniv Biton) is the third wheel, the family friend so essential to marital\u00a0 happiness. But there is a careful balance to be maintained in these situations. Popper is expected to know his place: admiring Schwartzisca&#8217;s buxom beauty from afar, cheering and supporting his friend&#8217;s happiness without getting too close, or &#8211; heaven forbid! &#8211; aspiring to a measure of happiness on his own. When a tiny, pinky-sized disturbance upsets this balance, things go absurdly haywire in a typically Levinian macabre way.<\/p>\n<figure id=\"attachment_22273\" aria-describedby=\"caption-attachment-22273\" style=\"width: 545px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/irit-kaplan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22273\" title=\"irit kaplan\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/irit-kaplan.jpg\" alt=\"\" width=\"545\" height=\"595\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/irit-kaplan.jpg 545w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/irit-kaplan-274x300.jpg 274w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><\/a><figcaption id=\"caption-attachment-22273\" class=\"wp-caption-text\">Irit Kaplan rocks as Schwartzisca\/Photo: Elizur Reuveni<\/figcaption><\/figure>\n<p>The excellent cast and staging make for a very pleasurable evening. Yaniv Biton really stands out as the quintessential little guy. The talented actor enters the role with mimetic glee, he&#8217;s exuberantly pathetic and one really wants to root for him against all odds. Nadav Asulin also caught my eye as Katz, the friend who has the not-so-enviable role of being even lower on the social ladder than Popper!<\/p>\n<figure id=\"attachment_22274\" aria-describedby=\"caption-attachment-22274\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-loveable-loser.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22274\" title=\"popper loveable loser\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-loveable-loser.jpg\" alt=\"\" width=\"586\" height=\"391\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-loveable-loser.jpg 586w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/popper-loveable-loser-300x200.jpg 300w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/a><figcaption id=\"caption-attachment-22274\" class=\"wp-caption-text\">Yaniv Biton as Popper, a rather loveable loser\/Photo: Elizur Reuveni<\/figcaption><\/figure>\n<p>On the whole, Popper is not one of my favorite Levin plays. He&#8217;s been keenly wittier elsewhere, and the play lacks the emotional impact and depth I find in some of his other plays &#8211; with one exception, Culpa, the whore. Significantly named, Culpa (Latin: guilt, blame), played to deadpan docile perfection by Sarit Vino Elad, is there for hire, do with her as you will. Levin assigns a special place to whores in his plays, here, Culpa gives wistful expression to the random quality of life in &#8220;When I Was Sixteen.&#8221; Omer Klein&#8217;s composition and Vino Elad&#8217;s performance give a searing edge to the poignant song of a sixteen year old who happens to meet the wrong man.<\/p>\n<figure id=\"attachment_22264\" aria-describedby=\"caption-attachment-22264\" style=\"width: 385px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/sarit-vino-elad.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-22264\" title=\"sarit vino elad\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/sarit-vino-elad.jpg\" alt=\"\" width=\"385\" height=\"576\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/sarit-vino-elad.jpg 385w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2012\/10\/sarit-vino-elad-200x300.jpg 200w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/a><figcaption id=\"caption-attachment-22264\" class=\"wp-caption-text\">Sarit Vino-Elad\/Photo: Elizur Reuveni<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Cameri production of Hanoch Levin&#8217;s Popper, directed by Moni Moshonov with original music by Omer Klein and choreography by Zahi Patish, takes a light-hearted look at the landscape Levin knows so well: the petit-bourgeoisie living lives of petty concerns and paltry joys. Schwartz (Itzik Cohen) and Schwartzisca (Irit Kaplan) are a happily married couple, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-22262","post","type-post","status-publish","format-standard","hentry","category-theater"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/22262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22262"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/22262\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}