{"id":25131,"date":"2013-03-19T07:56:55","date_gmt":"2013-03-19T14:56:55","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=25131"},"modified":"2013-03-19T08:06:03","modified_gmt":"2013-03-19T15:06:03","slug":"israeli-theatre-prize-2012-nominations","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=25131","title":{"rendered":"Israeli Theatre Prize 2012 Nominations"},"content":{"rendered":"<p>Nominations for the 2012 Israeli Theatre Prizes were announced this morning. The awards ceremony will take place on May 10, 2012, at the Beit Lessin Theatre, and will be broadcast on IBA Channel 1.<\/p>\n<figure id=\"attachment_25133\" aria-describedby=\"caption-attachment-25133\" style=\"width: 286px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2013\/03\/dvora-kedar-in-Arsenic-and-old-lace-gerard-alon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-25133 \" alt=\"Dvora Kedar in Arsenic and Old Lace, Habima Theatre Production\/Photo: Gerard Alon\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2013\/03\/dvora-kedar-in-Arsenic-and-old-lace-gerard-alon.jpg\" width=\"286\" height=\"429\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2013\/03\/dvora-kedar-in-Arsenic-and-old-lace-gerard-alon.jpg 358w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2013\/03\/dvora-kedar-in-Arsenic-and-old-lace-gerard-alon-200x300.jpg 200w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/a><figcaption id=\"caption-attachment-25133\" class=\"wp-caption-text\">Dvora Kedar in Arsenic and Old Lace, Habima Theatre Production\/Photo: Gerard Alon<\/figcaption><\/figure>\n<p>Dvora Kedar will be honored with a lifetime achievement award. Entertaining and moving audiences in the many roles she has portrayed on stage and screen over the course of a long and prolific career, Kedar still graces the stage of Habima National Theatre, even as she approaches her 90th birthday. Uri Ofer, former Director of the Cameri Theatre and co-founder and Director of the Israeli Opera in its first decade, will be honored for his unique contribution and lasting imprint on Israeli theatre. Gesher Theatre and Habima Theatre withdrew from this year&#8217;s competition.<\/p>\n<p>The finalists for this year&#8217;s Israeli Theatre Prize are:<\/p>\n<p><strong>Best Original Play:<\/strong><br \/>\n<em>Difficult People<\/em> &#8211; Haifa Theatre<br \/>\n<em>Between Two Worlds<\/em> &#8211; Cameri Theatre<br \/>\n<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19772\" target=\"_blank\"><em>Will The Two Walk Together<\/em><\/a> &#8211; Herzliya Ensemble\/Cameri Theatre<br \/>\n<em>The Labor of Living<\/em> &#8211; Beit Lessin Theatre<br \/>\n<em>One Wish Right<\/em> &#8211; Beit Lessin Theatre<\/p>\n<p><strong>Best Play in Translation:<\/strong><br \/>\n<em>Race<\/em> &#8211; Haifa Theatre<br \/>\n<em>Nora<\/em> &#8211; Beer Sheva Theatre<br \/>\n<em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\n<em>Richard II<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Comedy:<\/strong><br \/>\n<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19678\" target=\"_blank\"><em>A School for Wives<\/em><\/a> &#8211; Haifa Theatre\/Cameri Theatre<br \/>\n<a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\n<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19970\" target=\"_blank\">The Game of Love and Chance<\/a> &#8211; Khan Theatre<br \/>\n<em>Souvenir<\/em> &#8211; Beer Sheva Theatre<\/p>\n<p><strong>Best Musical:<\/strong><br \/>\n<em>Once There was a Hasid<\/em> &#8211; Haifa Theatre\/Habima Theatre<br \/>\n<em>Hershele Ostropolyer<\/em> &#8211; Yiddishspiel Theatre<br \/>\n<em>Flower of the Neighborhood<\/em> &#8211; Beer Sheva Theatre<br \/>\n<em>Kazablan<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Actress in a Leading Role:<\/strong><br \/>\nAvital Pasternak &#8211; Nora in <em>Nora<\/em> &#8211; Beer Sheva Theatre<br \/>\nLeora Rivlin &#8211; Leviva Popoch in <em>The Labor of Living<\/em> &#8211; Beit Lessin Theatre<br \/>\nRama Messinger &#8211; Flora Foster Jenkins in <em>Souvenir<\/em> &#8211; Beer Sheva Theatre<br \/>\nShiri Golan &#8211; Clytemnestra in<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"><em> Iphigenia<\/em><\/a> &#8211; Beer Sheva Theatre<\/p>\n<p><strong>Best Actor in a Leading Role:<\/strong><br \/>\nItai Tiran &#8211; Richard III in <em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\nErez Shafrir &#8211; Argan in <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\nAmos Tamam &#8211; Kazablan in <em>Kazablan<\/em> &#8211; Cameri Theatre<br \/>\nRami Baruch &#8211; Arnolf in <em><a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19678\" target=\"_blank\">The School for Wives<\/a><\/em> &#8211; Cameri Theatre<br \/>\nRami Baruch &#8211; David Ben Gurion in <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19772\" target=\"_blank\"><em>Will the Two Walk Together<\/em><\/a> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Actress in a Supporting Role:<\/strong><br \/>\nOrly Zilbershatz &#8211; Dvosi the Queen in <em>Stempenyu<\/em> &#8211; Cameri Theatre<br \/>\nEster Rada &#8211; Susan in <em>Race<\/em> &#8211; Haifa Theatre<br \/>\nMay Feingold &#8211; Rosa in <em>Kazablan<\/em> &#8211; Cameri Theatre<br \/>\nMichal Weinberg &#8211; Head of Chorus in<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"><em> Iphigenia<\/em><\/a> &#8211; Beer Sheva Theatre http:\/\/www.midnighteast.com\/mag\/?p=24428<\/p>\n<p><strong>Best Actor in a Supporting Role:<\/strong><br \/>\nItzik Cohen &#8211; Moshiko Babyuf in <em>Kazablan<\/em> &#8211; Cameri Theatre<br \/>\nEli Gorenstein &#8211; Sir James Tyrrell in <em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\nKhalifa Natour &#8211; Eliezer in <em>Difficult People<\/em> &#8211; Haifa Theatre<br \/>\nNorman Issa &#8211; Henry Brown in <em>Race<\/em> &#8211; Haifa Theatre<\/p>\n<p>Most Promising Actress:<br \/>\nGaia Shalita Katz &#8211; Louison in <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\nYael Tal &#8211; Ines in <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19678\" target=\"_blank\"><em>The School for Wives<\/em><\/a> &#8211; Cameri Theatre<br \/>\nRona Lee Shimon &#8211; Rochale in <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em>Stempenyu<\/em><\/a> &#8211; Cameri Theatre<br \/>\nTamar Shem Or &#8211; Rachel in <em>Kazablan<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Most Promising Actor:<\/strong><br \/>\nOr Ben Melech &#8211; Ido in <em>Horses on Geha Road<\/em> &#8211; Beit Lessin Theatre<br \/>\nHaike Malka &#8211; Churchill in <em>One Wish Right<\/em> &#8211; Beit Lessin Theatre<br \/>\nYuval Segal &#8211; Binyumin in <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em>Stempenyu<\/em><\/a> &#8211; Cameri Theatre<br \/>\nAmi Anidgar &#8211; Sammy Kenan (Vaknin) in <em>Flower of the Neighborhood<\/em> &#8211; Beer Sheva Theatre<\/p>\n<p><strong>Best Director:<\/strong><br \/>\nUdi Ben Moshe &#8211; <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\nArthur Kogan &#8211; <em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\nMoshe Naor &#8211; <em>Race<\/em> &#8211; Haifa Theatre<br \/>\nTzedi Tsarfati &#8211; <em>Kazablan<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Playwright:<\/strong><br \/>\nA. B. Yehoshua &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19772\" target=\"_blank\"><em>Will the Two Walk Together<\/em><\/a> &#8211; Herzliya Ensemble\/Cameri Theatre<br \/>\nOren Yaakobi &#8211; <em>Glass Ceiling<\/em> &#8211; Beit Lessin Theatre<br \/>\nDafna Engel &#8211; <em>One Wish Right<\/em> &#8211; Beit Lessin Theatre<br \/>\nEdna Mazya &#8211;<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em> Stempenyu<\/em><\/a> (based on Shalom Aleichem) &#8211; Cameri Theatre<br \/>\nSara von Schwartze &#8211; <em>Between Two Worlds<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Translator:<\/strong><br \/>\nAharon Shabtai &#8211; <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"><em>Iphigenia<\/em><\/a> &#8211; Beer Sheva Theatre<br \/>\nEli Bijaoui &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19678\" target=\"_blank\"><em>The School for Wives<\/em><\/a> &#8211; Cameri Theatre<br \/>\nYosef El Dror &#8211; <em>Race<\/em> &#8211; Haifa Theatre<br \/>\nMeir Weiseltier &#8211; <em>Richard III<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Set Design:<\/strong><br \/>\nDina Konson &#8211;<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"> <em>Iphigenia<\/em><\/a> &#8211; Beer Sheva Theatre<br \/>\nSvetlana Berger &#8211; <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\nEran Atzmon &#8211; <em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\nRoni Toren &#8211;<em> Kazablan<\/em> &#8211; Cameri Theatre<\/p>\n<p><strong>Best Costume Design:<\/strong><br \/>\nOrna Smorgonsky &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em>Stempenyu<\/em><\/a> &#8211; Cameri Theatre<br \/>\nOrna Smorgonsky &#8211; <em>Richard III<\/em> &#8211; Cameri Theatre<br \/>\nDalia Penn Heller &#8211; <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em> <\/a>&#8211; Khan Theatre<br \/>\nNetta Hacker &#8211; <em>Souvenir<\/em> &#8211; Beer Sheva Theatre<br \/>\nPolina Adamov &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19970\" target=\"_blank\"><em>The Game of Love and Chance <\/em><\/a>&#8211; Khan Theatre<\/p>\n<p><strong>Best Lighting Design:<\/strong><br \/>\nAvi Yona Bueno (Bambi) \u2013 <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em>Stempenyu<\/em> <\/a>\u2013 Cameri Theatre<br \/>\nAmir Brenner &#8211; <em>Kazablan<\/em> &#8211; Cameri Theatre<br \/>\nFelice Ross &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"><em>Iphigenia<\/em> <\/a>&#8211; Beer Sheva Theatre<br \/>\nTamar Or &#8211; <em>Nora<\/em> &#8211; Beer Sheva Theatre<\/p>\n<p><strong>Best Theatre Music Composer:<\/strong><br \/>\nEldad Lidor &#8211;<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=24428\" target=\"_blank\"> <em>Iphigenia<\/em><\/a> &#8211; Beer Sheva Theatre<br \/>\nAssaf Talmudi &#8211;<a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"> <em>Stempenyu<\/em> <\/a>&#8211; Cameri Theatre<br \/>\nJoseph Bardanashvili &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=19678\" target=\"_blank\"><em>The School for Wives<\/em> <\/a>&#8211; Cameri Theatre<br \/>\nAdi Cohen &#8211; <a href=\" http:\/\/www.midnighteast.com\/mag\/?p=24578\" target=\"_blank\"><em>The Imaginary Invalid<\/em><\/a> &#8211; Khan Theatre<br \/>\nKobi Oz &#8211; <em>The Flower of the Neighborhood<\/em> &#8211; Beer Sheva Theatre<\/p>\n<p><strong>Best Choreography:<\/strong><br \/>\nGilad Kimchi &#8211; <em>One Wish Right<\/em> &#8211; Beit Lessin Theatre<br \/>\nYehezkel Lazarov &#8211; <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=20156\" target=\"_blank\"><em>Stempenyu<\/em><\/a> &#8211; Cameri Theatre<br \/>\nYael Turgeman &#8211; <em>Once There was a Hasid<\/em> &#8211; Haifa Theatre\/Habima Theatre<br \/>\nOz Morag &#8211;<em> Kazablan &#8211;\u00a0<\/em>Cameri Theatre<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nominations for the 2012 Israeli Theatre Prizes were announced this morning. The awards ceremony will take place on May 10, 2012, at the Beit Lessin Theatre, and will be broadcast on IBA Channel 1. Dvora Kedar will be honored with a lifetime achievement award. Entertaining and moving audiences in the many roles she has portrayed [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-25131","post","type-post","status-publish","format-standard","hentry","category-theater"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/25131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25131"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/25131\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}