{"id":35045,"date":"2016-09-22T02:02:37","date_gmt":"2016-09-22T09:02:37","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=35045"},"modified":"2016-10-06T05:39:43","modified_gmt":"2016-10-06T12:39:43","slug":"st-petersburg-eifman-ballet-october-2016","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=35045","title":{"rendered":"St. Petersburg Eifman Ballet October 2016"},"content":{"rendered":"<p>The St. Petersburg Eifman Ballet returns to Israel this October with a new version of <em>Red Giselle<\/em>, and <em>Up &amp; Down<\/em>, a ballet inspired by F. Scott Fitzgerald&#8217;s novel <em>Tender is the Night<\/em>.<!--more--><\/p>\n<figure id=\"attachment_35048\" aria-describedby=\"caption-attachment-35048\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/RedGiselle_2142A_Evgeny_Matveev_SBPR-584x474.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-35048\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/RedGiselle_2142A_Evgeny_Matveev_SBPR-584x474.jpg\" alt=\"Red Giselle\/Photo: Evgeny Matveev\" width=\"584\" height=\"474\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/RedGiselle_2142A_Evgeny_Matveev_SBPR-584x474.jpg 584w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/RedGiselle_2142A_Evgeny_Matveev_SBPR-584x474-300x243.jpg 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-35048\" class=\"wp-caption-text\">Red Giselle\/Photo: Evgeny Matveev<\/figcaption><\/figure>\n<p><em>Red Giselle<\/em>\u00a0is the first work that the St. Petersburg Eifman Ballet performed in Israel in 1999, at the Israeli Opera. Audiences were enthusiastic, and the neo-classical ballet company has been performing regularly in Israel ever since. Choreographer and Artistic Director Boris Eifman was recently invited to present the work at the Vienna Opera Ballet, and in the process of rehearsals introduced changes in the original version from 1997. The new version of <em>Red Giselle<\/em> premiered in 2015, and will now be performed in Israel for the first time.<\/p>\n<p><em>Red Giselle<\/em> is Eifman\u2019s tribute to the legendary dancer Olga Spessivtseva (1895 \u2013 1991). She studied with Vaganova, joining the Mariinsky Theatre company in 1913 upon her graduation. Promoted to soloist in 1916, she was known for expressive roles such as Giselle and Odette\/Odile in <em>Swan Lake<\/em>. In 1916 she toured the United States with Diaghilev and the Ballets Russes, where she partnered with Nijinsky. Spessivtseva left Russia in 1924 and joined the Paris Ballet, where she danced as an \u00e9toile (prima ballerina) until 1932. In 1932 she made a guest appearance in London, dancing Giselle with Anton Dolin (former dancer in the Ballets Russes as well) of the Royal Ballet. Spessivtseva continued to perform and tour, often billed in other countries as Spessiva. Yet her emotional health suffered, possibly also affected by the trauma of the revolution and her exile from Russia. She emigrated to the United States in 1939, where she suffered a nervous breakdown and in the latter part of her life was hospitalized for many years. The BBC produced a documentary about her, and Anton Dolin wrote a book <em>The Sleeping Ballerina<\/em>, published in 1966. The 1982 documentary film, <em>A Portrait of Giselle<\/em>, directed by Muriel Balash, features Anton Dolin rehearsing the role with Patricia McBride of the New York City Ballet, interspersed with scenes of famous Giselles of the past, with a rare clip of Olga Spessivtseva dancing.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/EfKPtNpyHjk?rel=0&amp;controls=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nEifman&#8217;s Red Giselle is not a biography of Spessivtseva in dance, but rather an attempt to analyze and express the fate of many artists compelled to leave Russia, and the tragic impact of exile on their lives. The set and costumes of the ballet have been updated, and the new version of <em>Red Giselle<\/em> will be performed in Israel with dancers who appeared in the original, as well as young dancers who are performing in this ballet for the first time.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HPzZLDemOEw?rel=0&amp;controls=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_35050\" aria-describedby=\"caption-attachment-35050\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/UpDown_Matveev_7708-584x389.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-35050\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/UpDown_Matveev_7708-584x389.jpg\" alt=\"Up &amp; Down\/Photo: Evgeny Matveev\" width=\"584\" height=\"389\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/UpDown_Matveev_7708-584x389.jpg 584w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/09\/UpDown_Matveev_7708-584x389-300x200.jpg 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-35050\" class=\"wp-caption-text\">Up &amp; Down\/Photo: Evgeny Matveev<\/figcaption><\/figure>\n<p>Artistic Director and choreographer Boris Eifman is inspired by\u00a0literature, as may be seen in his ballets, such as<em> Russian Hamlet<\/em>, <em>Anna Karenina<\/em>,\u00a0<em>The Seagull<\/em>,\u00a0and<em> Onegin<\/em>.<em> Up &amp; Down<\/em>, based on F. Scott Fitzgerald&#8217;s <em>Tender is the Night<\/em>, reflects\u00a0his\u00a0interest in psychology and human relationships as explored and expressed in dance. Eifman evokes the mood and spirit of the roaring twenties, and a romance torn by mental illness.<\/p>\n<p>In Fitzgerald&#8217;s novel, successful doctor Dick Diver and his wife Nicole lead a glamorous lifestyle, undermined by Nicole&#8217;s mental illness and Dick&#8217;s alcoholism. Fitzgerald&#8217;s novel was based on his own tumultuous relationship with his wife Zelda, who was diagnosed with schizophrenia, and spent the latter years of her life in a psychiatric hospital. It is interesting to note that Zelda too drew on their private lives for material, and one may read her version of the marriage in her novel <em>Save Me The Waltz<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Program A: Red Giselle (new version)<\/strong><\/p>\n<p>Choreography: Boris Eifman<\/p>\n<p>Music: Pyotr Tchaikovsky, Alfred Schnittke, Georges Bizet<\/p>\n<p>Set and costumes: Vyacheslav Okunev<\/p>\n<p>Performances:<\/p>\n<p>Israeli Opera\/Tel Aviv Performing Arts Center: Tuesday, October 25<sup>th<\/sup> at 20:00; Wednesday, October 26<sup>th<\/sup> at 16:00 and 20:00; Thursday, October 27<sup>th<\/sup> at 20:00.<\/p>\n<p>Beer Sheva Performing Arts Center: Sunday, October 30<sup>th<\/sup> at 20:00.<\/p>\n<p><strong>Program B: Up &amp; Down<\/strong><\/p>\n<p>Choreography: Boris Eifman, based on the novel by F. Scott Fitzgerald<\/p>\n<p>Music: George Gershwin, Franz Schubert, Alban Berg<\/p>\n<p>Sets: Zinovy Margolin<\/p>\n<p>Costumes: Olga Shaishmelashvili<\/p>\n<p>Lights: Gleb Filshtinsky, Boris Eifman<\/p>\n<p>Performances:<\/p>\n<p>Israeli Opera\/Tel Aviv Performing Arts Center: Friday, October 28<sup>th<\/sup> at 21:00; Saturday, October 29<sup>th<\/sup> at 16:00 and 20:00.<\/p>\n<p>Ticket prices are 219 NIS \u2013 369 NIS, and may be ordered online on <a href=\"http:\/\/www.israel-opera.co.il\/eng\/?CategoryID=810&amp;ArticleID=2372\" target=\"_blank\">The Israeli Opera website<\/a>, or call: 03-6927777\/7700.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The St. Petersburg Eifman Ballet returns to Israel this October with a new version of Red Giselle, and Up &amp; Down, a ballet inspired by F. Scott Fitzgerald&#8217;s novel Tender is the Night.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35045","post","type-post","status-publish","format-standard","hentry","category-dance"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/35045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35045"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/35045\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}