{"id":35754,"date":"2016-12-05T01:22:48","date_gmt":"2016-12-05T08:22:48","guid":{"rendered":"http:\/\/www.midnighteast.com\/mag\/?p=35754"},"modified":"2017-05-04T14:43:43","modified_gmt":"2017-05-04T21:43:43","slug":"cameri-theatre-9th-international-theatre-festival-2016","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=35754","title":{"rendered":"Cameri Theatre: 9th International Theatre Festival 2016"},"content":{"rendered":"<p>The Cameri Theatre presents the 9<sup>th<\/sup> edition of the International Theatre Festival, from December 6 \u2013 24, 2016. Focal points for the festival will be the plays of Hanoch Levin, Henrik Ibsen, and issues of war, refugees, and immigrants.<\/p>\n<figure id=\"attachment_35756\" aria-describedby=\"caption-attachment-35756\" style=\"width: 520px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d9\u05e2\u05e7\u05d5\u05d1\u05d9-\u05d5\u05dc\u05d9\u05d9\u05e0\u05d3\u05e0\u05d8\u05dc-\u05e6\u05d9\u05dc\u05d5\u05dd-\u00c9ternels-Vagabonds-520x520.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-35756\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d9\u05e2\u05e7\u05d5\u05d1\u05d9-\u05d5\u05dc\u05d9\u05d9\u05e0\u05d3\u05e0\u05d8\u05dc-\u05e6\u05d9\u05dc\u05d5\u05dd-\u00c9ternels-Vagabonds-520x520.jpg\" alt=\"Yaakobi &amp; Leidental\/Photo: Eternels Vagabonds\" width=\"520\" height=\"520\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d9\u05e2\u05e7\u05d5\u05d1\u05d9-\u05d5\u05dc\u05d9\u05d9\u05e0\u05d3\u05e0\u05d8\u05dc-\u05e6\u05d9\u05dc\u05d5\u05dd-\u00c9ternels-Vagabonds-520x520.jpg 520w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d9\u05e2\u05e7\u05d5\u05d1\u05d9-\u05d5\u05dc\u05d9\u05d9\u05e0\u05d3\u05e0\u05d8\u05dc-\u05e6\u05d9\u05dc\u05d5\u05dd-\u00c9ternels-Vagabonds-520x520-150x150.jpg 150w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d9\u05e2\u05e7\u05d5\u05d1\u05d9-\u05d5\u05dc\u05d9\u05d9\u05e0\u05d3\u05e0\u05d8\u05dc-\u05e6\u05d9\u05dc\u05d5\u05dd-\u00c9ternels-Vagabonds-520x520-300x300.jpg 300w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><figcaption id=\"caption-attachment-35756\" class=\"wp-caption-text\">Yaakobi &amp; Leidental\/Photo: Eternels Vagabonds<\/figcaption><\/figure>\n<p>Hanoch Levin&#8217;s works are marked by a language that is at once poetic, comic, bitterly incisive and sometimes crude, with a discerning perspective on love, life, and death. The Cameri Theatre production of <em>Requiem<\/em>, one of Levin&#8217;s most poetic and moving works, will celebrates its 500<sup>th<\/sup> performance on December 11<sup>th<\/sup>, as will the more light-hearted <em>Make My Heart Flutter<\/em> which will be performed on December 23<sup>rd<\/sup>. Levin&#8217;s Labor of Life, a production from Hungary directed by Ilan Eldad, will be performed on December 16<sup>th<\/sup> and 17<sup>th<\/sup>. A British fringe theatre production of <em>Yaakobi and Leidental<\/em> will be performed on December 9th\u00a0and 10th, and an Israeli fringe production of <em>Thin Soldier<\/em>, directed by Tal Brenner, will be performed on December 22<sup>nd<\/sup> and 23<sup>rd<\/sup>.<\/p>\n<figure id=\"attachment_35214\" aria-describedby=\"caption-attachment-35214\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/10\/unnamed-2-584x390.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-35214\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/10\/unnamed-2-584x390.jpg\" alt=\"Pillars of Society - Itay Tiran\/Photo: Gerard Alon\" width=\"584\" height=\"390\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/10\/unnamed-2-584x390.jpg 584w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/10\/unnamed-2-584x390-300x200.jpg 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-35214\" class=\"wp-caption-text\">Pillars of Society &#8211; Itay Tiran\/Photo: Gerard Alon<\/figcaption><\/figure>\n<p>The Cameri Theatre production of Henrik Ibsen\u2019s\u00a0<em>Pillars of Society<\/em>\u00a0represents\u00a0classic theatre at its best. Directed by Arthur Kogan, who adapted and translated it with Itay Tiran, the play retains a solid fidelity to Ibsen and the era, as set, costumes, lights, music and excellent ensemble performances come together in a harmonious, and profound whole. As the plot thickens and the play\u2019s themes develop, the relevance to contemporary concerns shines through with effortless clarity.\u00a0(read the <a href=\"http:\/\/www.midnighteast.com\/mag\/?p=35212\" target=\"_blank\" rel=\"noopener noreferrer\">full review here<\/a>) The play will be performed December 6<sup>th<\/sup> and 7<sup>th<\/sup> at 20:30, and December 23<sup>rd<\/sup> at 12:00 and 21:00. A modern adaptation of Enemy Of The Public, by Dan Shapira and Yonatan Esterkin, and directed by the latter, will be performed December 12th \u2013 14<sup>th<\/sup> at 21:00. \u00a0There will be a discussion on Rina Yerushalmi&#8217;s production of <em>Peer Gynt<\/em>\u00a0on December 20<sup>th<\/sup>, with performance of select scenes from the play, admission is free. There will be a staged reading of the Norwegian play <em>An Autumn Dream<\/em> by Jon Fosse, translated by Prof. Gad Kaynar and directed by Yonatan Esterkin.<\/p>\n<p><strong>International plays in the festival:<\/strong><\/p>\n<figure id=\"attachment_35757\" aria-describedby=\"caption-attachment-35757\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d1\u05d2\u05dc\u05d5\u05ea-\u05e6\u05d9\u05dc\u05d5\u05dd-Beka-Javakhishvili-584x389.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-35757\" src=\"http:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d1\u05d2\u05dc\u05d5\u05ea-\u05e6\u05d9\u05dc\u05d5\u05dd-Beka-Javakhishvili-584x389.jpg\" alt=\"Begalut\/Photo: Beka Javakhishvili\" width=\"584\" height=\"389\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d1\u05d2\u05dc\u05d5\u05ea-\u05e6\u05d9\u05dc\u05d5\u05dd-Beka-Javakhishvili-584x389.jpg 584w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2016\/12\/\u05d1\u05d2\u05dc\u05d5\u05ea-\u05e6\u05d9\u05dc\u05d5\u05dd-Beka-Javakhishvili-584x389-300x200.jpg 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><figcaption id=\"caption-attachment-35757\" class=\"wp-caption-text\">Begalut\/Photo: Beka Javakhishvili<\/figcaption><\/figure>\n<p><em>Begalut<\/em> \u2013 a play without words from Tbilisi, Georgia. There are no words, but there is no silence as well\u2026Imagine as if we observe the lives of two happy and smart Jewish families through closed windows. We do not hear their voices, but their mood is great and contagious\u2026 Performances: December 19<sup>th<\/sup> and 20<sup>th<\/sup> at 20:30.<\/p>\n<p><em>No Country So Beautiful<\/em> &#8211; The Krefeld and Monchengladbach Theatre from Germany. A contemporary play, dealing with today&#8217;s society in Germany that has so far absorbed more than a million Syrian refugees. Performances: December 13<sup>th<\/sup> and 14<sup>th<\/sup> at 20:30.<\/p>\n<p><em>Leni<\/em> \u2013 The Slovak National Theatre. The story of Leni Riefenstahl, who was Hitler&#8217;s filmmaker. What is an artist&#8217;s responsibility for his work? What are the limits between servitude to an ideology, an active participation in building a regime and artistic work? The participation of the production in the festival is thanks to the co-operation with the Israeli embassy in Bratislava. Performances: December 11<sup>th<\/sup> at 17:30 and 21:00.<\/p>\n<p><em>The Pianist of Willesden Lane<\/em> &#8211; \u00a0An American production telling the true story of a young pianist, who was one of the children in the kinder transport. The story is told by the daughter of the survivor, Mona Golabek, a concert pianist herself, who accompanies the show with her own playing. Performances: December 11<sup>th<\/sup> at 20:30, December 12<sup>th<\/sup> at 16:30 and 21:00.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/83fdhiC6_kE?rel=0&amp;controls=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em>Near Gone<\/em> &#8211; from Salisbury, the United Kingdom, is a show about our inevitable departure. Delivered in English and Bulgarian it tells a tragic story with gentle humor. Highly physical and highly emotional, &#8216;Near Gone&#8217; is a piece about cheating death \u2013 for now! Performances: December 14<sup>th<\/sup> and 15<sup>th<\/sup> at 21:00.<\/p>\n<p><em>Three Winters<\/em> &#8211; The National Theatre Croatia. The story of three generations of women during the wars in the region from 1945 to the last one, following the disengagement from the Soviet Union. Performances: December 6<sup>th<\/sup> and 7<sup>th<\/sup> at 20:00.<\/p>\n<p>Tickets to the plays may be ordered via the Cameri Theatre website. <a href=\"http:\/\/www.cameri.co.il\">www.cameri.co.il<\/a><\/p>\n<p>All international plays will be performed with subtitles in Hebrew. Descriptions of the plays provided by the theatre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Cameri Theatre presents the 9th edition of the International Theatre Festival, from December 6 \u2013 24, 2016. Focal points for the festival will be the plays of Hanoch Levin, Henrik Ibsen, and issues of war, refugees, and immigrants. Hanoch Levin&#8217;s works are marked by a language that is at once poetic, comic, bitterly incisive [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":35756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-35754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theater"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/35754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35754"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/35754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/media\/35756"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}