{"id":53448,"date":"2022-05-21T16:27:58","date_gmt":"2022-05-21T13:27:58","guid":{"rendered":"https:\/\/www.midnighteast.com\/mag\/?p=53448"},"modified":"2022-08-17T11:32:21","modified_gmt":"2022-08-17T08:32:21","slug":"docaviv-2022-loving-highsmith","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=53448","title":{"rendered":"Docaviv 2022: Loving Highsmith"},"content":{"rendered":"<figure id=\"attachment_53449\" aria-describedby=\"caption-attachment-53449\" style=\"width: 889px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-53449 size-full\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2022\/05\/\u05dc\u05d0\u05d4\u05d5\u05d1-\u05d0\u05ea-\u05e4\u05d8\u05e8\u05d9\u05e9\u05d9\u05d4-\u05d4\u05d9\u05d9\u05e1\u05de\u05d9\u05ea-Rolf-Tietgens-Courtesy-of-Keith-De-Lellis-small.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2022\/05\/\u05dc\u05d0\u05d4\u05d5\u05d1-\u05d0\u05ea-\u05e4\u05d8\u05e8\u05d9\u05e9\u05d9\u05d4-\u05d4\u05d9\u05d9\u05e1\u05de\u05d9\u05ea-Rolf-Tietgens-Courtesy-of-Keith-De-Lellis-small.jpg 889w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2022\/05\/\u05dc\u05d0\u05d4\u05d5\u05d1-\u05d0\u05ea-\u05e4\u05d8\u05e8\u05d9\u05e9\u05d9\u05d4-\u05d4\u05d9\u05d9\u05e1\u05de\u05d9\u05ea-Rolf-Tietgens-Courtesy-of-Keith-De-Lellis-small-300x169.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2022\/05\/\u05dc\u05d0\u05d4\u05d5\u05d1-\u05d0\u05ea-\u05e4\u05d8\u05e8\u05d9\u05e9\u05d9\u05d4-\u05d4\u05d9\u05d9\u05e1\u05de\u05d9\u05ea-Rolf-Tietgens-Courtesy-of-Keith-De-Lellis-small-768x432.jpg 768w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2022\/05\/\u05dc\u05d0\u05d4\u05d5\u05d1-\u05d0\u05ea-\u05e4\u05d8\u05e8\u05d9\u05e9\u05d9\u05d4-\u05d4\u05d9\u05d9\u05e1\u05de\u05d9\u05ea-Rolf-Tietgens-Courtesy-of-Keith-De-Lellis-small-640x360.jpg 640w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\" \/><figcaption id=\"caption-attachment-53449\" class=\"wp-caption-text\">Patricia Highsmith\/Photo by Rolf Tietgens, courtesy of Keith De Lellis<\/figcaption><\/figure>\n<p>Patricia Highsmith is well known for her psychological thrillers, many of which were made into films, yet <em>The Price of Salt<\/em>, one of her most significant novels, was originally published under a pseudonym. Eva Vitija\u2019s documentary focuses on the private aspects of Highsmith\u2019s life, relying on the writer\u2019s private journals as well as interviews with family members, friends, and former lovers. Yet I was most struck by Highsmith\u2019s own words, written for her eyes alone. The writing is so precise, vivid, and evocative, I felt a new appreciation for Highsmith\u2019s immense talent.<\/p>\n<p>Highsmith\u2019s first novel <em>Strangers on a Train<\/em>, published in 1950 was famously adapted to film by Alfred Hitchcock, and years later, inspired Danny DeVito\u2019s 1987 film <em>Throw Momma From the Train<\/em>. Her series of novels centered on the character of Tom Ripley, comprises five books, and several of these have also seen film adaptations, of these, the best known is perhaps The Talented Mr. Ripley, filmed as <em>Plein Soleil<\/em> (Purple Noon) starring Alain Delon in 1960, and again under the original title in 1999, starring Matt Damon. Yet the social-political climate of the time, and family considerations compelled Highsmith to publish her second novel, <em>The Price of Salt<\/em>, under the pseudonym Claire Morgan. The novel stands out from the literature of its time for depicting a lesbian relationship that has a relatively happy ending \u2013 no one dies, and no one regrets being a lesbian. In 1990 Highsmith re-issued the novel under her own name, and with a new title: <em>Carol<\/em>.<\/p>\n<p>Born in 1921 to a ranching family in Texas, Highsmith had a complicated relationship with her mother. Or to put it in the words of author Marijane Meaker, Highsmith\u2019s friend and lover: \u201cher mother was a bitch.\u201d Yet at least initially, Highsmith strove to comply with her mother\u2019s wishes, even when it meant dating a boyfriend her mother selected, of whom Highsmith writes that kissing him was \u201clike falling into a bucket of oysters.\u201d Putting distance between herself and her mother, young Highsmith spent time in Europe, where she first had the idea of Tom Ripley\u2019s character. Throughout her life, she would move back and forth between Europe and the US, yet always, her relationships with women were concealed from the public. The reactions of her Texas relatives interviewed for the film to information about her love affairs are fun to see. Most interesting are the interviews with friends and lovers Marijane Meaker, who conveys a sense of the era as well as insight into Highsmith, Monique Buffet and Tabea Blumenschein. Yet the ultimate pleasure of the film is to be found in the beauty of Highsmith\u2019s own words, as heard through the voice of Gwendoline Christie (Brienne of Tarth in The Game of Thrones).<\/p>\n<p><em>Loving Highsmith<\/em> will be screened in the Arts &amp; Culture program of Docaviv 2022, with the film\u2019s director present at some of the screenings. Screening dates and times are available on the <a href=\"https:\/\/www.docaviv.co.il\/2022-en\/films\/loving-highsmith\/\" target=\"_blank\" rel=\"noopener\">Docaviv website<\/a>.<\/p>\n<p><em>Loving Highsmith<\/em><\/p>\n<p>Switzerland\/Germany\/2022\/83 min\/English, French and German with Hebrew and English subtitles<\/p>\n<p>Director: Eva Vitija; Production: Franziska Sonder, Maurizius Staerkle Drux; Script: Eva Vitija; Editing: Rebecca Tr\u00f6sch; Cinematography: Siri Klug; Sound Design: Juliane Vari; Music: No\u00ebl Akchot\u00e9<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Patricia Highsmith is well known for her psychological thrillers, many of which were made into films, yet The Price of Salt, one of her most significant novels, was originally published under a pseudonym. Eva Vitija\u2019s documentary focuses on the private aspects of Highsmith\u2019s life, relying on the writer\u2019s private journals as well as interviews with [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":53449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[95,96,78,49,94,43,93],"class_list":["post-53448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-crime","tag-film","tag-lesbian","tag-love","tag-thriller","tag-women","tag-writer"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/53448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53448"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/53448\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/media\/53449"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}