{"id":55207,"date":"2025-08-12T18:07:10","date_gmt":"2025-08-12T15:07:10","guid":{"rendered":"https:\/\/www.midnighteast.com\/mag\/?p=55207"},"modified":"2025-08-12T18:07:10","modified_gmt":"2025-08-12T15:07:10","slug":"tisff-tel-aviv-international-student-film-festival-2025-preview","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=55207","title":{"rendered":"TISFF \u2013 Tel Aviv International Student Film Festival 2025 Preview"},"content":{"rendered":"<p>There is an amazing array of films to be shown at the Tel Aviv International Student Film Festival (TISFF), which will take place from August 20 \u2013 27, 2025. The full program may be found on the <a href=\"https:\/\/www.taufilmfest.com\/\" target=\"_blank\" rel=\"noopener\">festival website<\/a>. Here are a few that caught my eye:<\/p>\n<h4>Final Chord<\/h4>\n<figure id=\"attachment_55208\" aria-describedby=\"caption-attachment-55208\" style=\"width: 889px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55208\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/final-chord-Ruth-Blory-Itai-Osterman.jpg\" alt=\"\" width=\"889\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/final-chord-Ruth-Blory-Itai-Osterman.jpg 889w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/final-chord-Ruth-Blory-Itai-Osterman-300x169.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/final-chord-Ruth-Blory-Itai-Osterman-768x432.jpg 768w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/final-chord-Ruth-Blory-Itai-Osterman-640x360.jpg 640w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\" \/><figcaption id=\"caption-attachment-55208\" class=\"wp-caption-text\">Final Chord\/Photo: Ruth Blory, Itai Osterman<\/figcaption><\/figure>\n<p>In an expressive color pallete, with evocative imagery and soundscape, Ruth Blory and Itai Osterman, from the Haifa University School of Film and Design, tell the story of friendship, love, and unfathomable loss. In an animated film of 6 minutes, with a very precise and eloquent visual language, they tell the shock and grief of an entire country. The story is simple: Lily and Keren are friends. They hang out, talk, laugh, listen to music and dance. Keren went to the Nova music festival, while Lily chose to stay at home. The film is dedicated to the memory of PINK, Inbar Haiman. Trigger warning: the film includes a recorded alert.<\/p>\n<h4>Sila<\/h4>\n<figure id=\"attachment_55209\" aria-describedby=\"caption-attachment-55209\" style=\"width: 526px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55209\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/sila-fadi-qupti.jpg\" alt=\"\" width=\"526\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/sila-fadi-qupti.jpg 526w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/sila-fadi-qupti-300x285.jpg 300w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><figcaption id=\"caption-attachment-55209\" class=\"wp-caption-text\">Sila\/Photo: Fadi Qupti<\/figcaption><\/figure>\n<p>A young girl in a pink backpack approaches an intersection on foot. She\u2019s not on her way home or to a friend\u2019s house. She\u2019s going to work. Sila, written and directed by Bissan Tibi from the Steve Tisch School of Film &amp; Television, depicts the grim reality of young Palestinian children living in abject poverty who are sent out to work the streets, approaching cars at intersections and cleaning windshields or selling candy or gum, hoping to awaken the charitable instincts of the drivers. Yet Tibi\u2019s film is full of life, and the sense of childhood, with excellent performances from its young actors. Mariam Mora depicts Sila with an appealing warmth, and complexity. Sila accepts her situation \u2013 because she knows she has no alternative \u2013 and tries to make the best of it. She has acquired skills and knowledge that a child her age should not need to know but are crucial to her survival. When the drivers ask her name or age, she tells them something, anything but the truth. Perhaps she is 12, perhaps 13, perhaps younger. She\u2019s still young enough to care what flavor of popsicle she can afford to buy.<\/p>\n<p>Into Sila\u2019s intersection, where she sells gum, comes Yosef (Mohamad Ghazawi) who is cleaning windshields. Sila wants to protect her territory, and the ensuing interaction between the two is the focus of the narrative. Ghazawi delivered a powerful and moving performance in the feature film The Sea, directed by Shai Carmeli-Pollak, and produced by Baher Agbaria. Fascinating and surprising, the action and relationship unfolds, grounded by strong performances from the two young actors.<\/p>\n<h4>Walud<\/h4>\n<figure id=\"attachment_55210\" aria-describedby=\"caption-attachment-55210\" style=\"width: 925px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55210\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/walud-henri-nunn.jpg\" alt=\"\" width=\"925\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/walud-henri-nunn.jpg 925w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/walud-henri-nunn-300x162.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/walud-henri-nunn-768x415.jpg 768w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/walud-henri-nunn-640x346.jpg 640w\" sizes=\"auto, (max-width: 925px) 100vw, 925px\" \/><figcaption id=\"caption-attachment-55210\" class=\"wp-caption-text\">Walud\/Photo: Henri Nunn<\/figcaption><\/figure>\n<p>A lone figure walks in the arid landscape of the rural Syrian desert &#8211; Amuna, her worn expression reveals the hardship of her existence, as she carries two buckets of milk to the small, stone home she shares with her husband Aziz, where they herd sheep. Written and directed by Daood Alabdulaa and Louise Zenker, from the University of Television and Film Munich, Walud is set in 2014. For Amuna, it\u2019s a life of loneliness and isolation, in a patriarchal culture. Salha Nasraoui brings depth to her portrayal of Amuna, expressing volumes in her gaze. Each scene reveals aspects of Amuna\u2019s character, and hints of her past. Despite the confines of her role in society, when Aziz, an ISIS fighter, admonishes her for not wearing a burqa, she does not hesitate to challenge him, saying that the Brotherhood \u201chave no business here.\u201d But when Aziz brings home a young, European, second wife, it will directly impact Amuna\u2019s life. Amuna\u2019s response, and its development, make this a powerful and compelling film.<\/p>\n<h4>Balkan Baby<\/h4>\n<figure id=\"attachment_55211\" aria-describedby=\"caption-attachment-55211\" style=\"width: 831px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55211\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/balkan-baby-leander-hartung.jpg\" alt=\"\" width=\"831\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/balkan-baby-leander-hartung.jpg 831w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/balkan-baby-leander-hartung-300x181.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/balkan-baby-leander-hartung-768x462.jpg 768w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/balkan-baby-leander-hartung-640x385.jpg 640w\" sizes=\"auto, (max-width: 831px) 100vw, 831px\" \/><figcaption id=\"caption-attachment-55211\" class=\"wp-caption-text\">Balkan Baby\/Photo: Leander Hartung<\/figcaption><\/figure>\n<p>Poetic and evocative, the film opens with a woman\u2019s feet walking carefully over the pebbles and stones on the lakeshore at night. It\u2019s an apt visual metaphor for the film\u2019s protagonist, Martina, a woman originally from the Balkans, living essentially in exile in Germany. Just as carefully as she walks over the stones, she lives her new life in Germany, trying to fit in. Directed by Boris Gavrilovi\u0107 with a screenplay by Boris Gavrilovi\u0107, Laura Lybaschenko, Ecem Calisir, from the University of Television and Film, Munich, the film finds Martina on vacation in Starnberg, by the lake. Ru\u017eica Hajdavi imbues Martina with the precise mix of people-pleasing and discomfort, as she smiles and lets the hotel receptionist know that it\u2019s perfectly fine that he can\u2019t spell her name. She is determined to fit in. Travelling alone, she\u2019s open and friendly, eager to connect with other travellers, Germans, of course. But her encounter with Dunja, a young and uninhibited Bosnian woman (Senita Huski\u0107) pierces Martina\u2019s elaborately constructed defences.<\/p>\n<h4>French<\/h4>\n<figure id=\"attachment_55212\" aria-describedby=\"caption-attachment-55212\" style=\"width: 1193px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55212\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky.jpg\" alt=\"\" width=\"1193\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky.jpg 1193w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky-300x126.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky-1024x429.jpg 1024w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky-768x322.jpg 768w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky-640x268.jpg 640w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/08\/french-blue-dobrecky-980x411.jpg 980w\" sizes=\"auto, (max-width: 1193px) 100vw, 1193px\" \/><figcaption id=\"caption-attachment-55212\" class=\"wp-caption-text\">French\/Photo: Blue Dobrecky<\/figcaption><\/figure>\n<p>The darker side of the intimate relationship between a manicurist and her client is explored in this film written and directed by Dylan Joseph. Two very strong actors portray Sari, the manicurist, and Alona, the client \u2013 respectively, Rona-Lee Shimon and Hadas Yaron. The setting is intimate, Sari sees clients in her home, and, as anyone familiar with manicures and their mythology, confidences are shared, and there is often a therapeutic element to the relationship. Until something goes wrong. Sari suspects that while she was away on vacation, Alona went to a rival salon. Alona indignantly denies this, and it\u2019s a lot of fun to see these two go head to head.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is an amazing array of films to be shown at the Tel Aviv International Student Film Festival (TISFF), which will take place from August 20 \u2013 27, 2025. The full program may be found on the festival website. Here are a few that caught my eye: Final Chord In an expressive color pallete, with [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":55210,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[100,96,338,340],"class_list":["post-55207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-festival","tag-film","tag-tel-aviv-international-student-film-festival","tag-tisff"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/55207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55207"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/55207\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/media\/55210"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}