{"id":55244,"date":"2025-09-05T18:46:36","date_gmt":"2025-09-05T15:46:36","guid":{"rendered":"https:\/\/www.midnighteast.com\/mag\/?p=55244"},"modified":"2025-09-05T18:46:36","modified_gmt":"2025-09-05T15:46:36","slug":"beit-lessin-rhinoceros","status":"publish","type":"post","link":"https:\/\/www.midnighteast.com\/mag\/?p=55244","title":{"rendered":"Beit Lessin: Rhinoceros"},"content":{"rendered":"<figure id=\"attachment_55245\" aria-describedby=\"caption-attachment-55245\" style=\"width: 750px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-55245\" src=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/09\/\u05e7\u05e8\u05e0\u05e4\u05d9\u05dd6-\u05e6\u05d9\u05dc\u05d5\u05dd-\u05d3\u05e0\u05d9\u05d0\u05dc-\u05e7\u05de\u05d9\u05e0\u05e1\u05e7\u05d9.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/09\/\u05e7\u05e8\u05e0\u05e4\u05d9\u05dd6-\u05e6\u05d9\u05dc\u05d5\u05dd-\u05d3\u05e0\u05d9\u05d0\u05dc-\u05e7\u05de\u05d9\u05e0\u05e1\u05e7\u05d9.jpg 750w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/09\/\u05e7\u05e8\u05e0\u05e4\u05d9\u05dd6-\u05e6\u05d9\u05dc\u05d5\u05dd-\u05d3\u05e0\u05d9\u05d0\u05dc-\u05e7\u05de\u05d9\u05e0\u05e1\u05e7\u05d9-300x200.jpg 300w, https:\/\/www.midnighteast.com\/mag\/wp-content\/uploads\/2025\/09\/\u05e7\u05e8\u05e0\u05e4\u05d9\u05dd6-\u05e6\u05d9\u05dc\u05d5\u05dd-\u05d3\u05e0\u05d9\u05d0\u05dc-\u05e7\u05de\u05d9\u05e0\u05e1\u05e7\u05d9-640x427.jpg 640w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-55245\" class=\"wp-caption-text\">Rhinoceros &#8211; Beit Lessin\/Photo: Daniel Kaminsky<\/figcaption><\/figure>\n<p>The Beit Lessin production of Eug\u00e8ne Ionesco\u2019s <em>Rhinoceros<\/em>, directed by Yair Sherman, with a translation into Hebrew by Eli Bijaoui, is visually compelling, fun and playfully subversive, with an imaginative and significant soundscape. The creative team has done a brilliant job of re-imagining Ionescu\u2019s classic play, and the entire cast delivers strong performances.<\/p>\n<p>The play opens like a concert, with music stands set up on which the sheet music says \u201cRhinoceros\u201d and the cast all line up, emitting strange noises. It\u2019s like a signal: get ready for a wild ride. The cast are all in white face, but these are not happy clowns by any measure, they are more like clowns from a nightmare. As the curtain opens, the set is a gray city square with a grocery and caf\u00e9, brightened by few select touches of colorful neon. Several conversations take place at the same time, a pseudo philosophical discussion offers much amusement, while Jean (Benny Eldar) berates his good friend B\u00e9renger (Tom Hagi) for being a dissolute drunkard. Polina Adamov\u2019s whimsical and imaginative costumes evoke the essence of the different characters wonderfully, and are a delight to behold. My personal favorites are Jean\u2019s vest-corset, and the waitress\u2019s purple velvet short overall. Suddenly, a rumbling sound is heard, and a brief selection of Richard Wagner\u2019s Ride of the Valkyries. A rhinoceros has been sighted as it runs by. It\u2019s the perfect way to show a rhinoceros without showing a rhinoceros.<\/p>\n<p>As the first scene ends, the walls come tumbling down, and the full magnificence of Polina Adamov\u2019s set design is revealed. The different pieces can be assembled like giant building blocks to create different kinds of spaces and moods. Each set is also marked by music stands with sheet music indicating the location, in French, in a nod to the play\u2019s origins. The second scene for example, is the newspaper\u2019s offices where B\u00e9renger works, \u201cle bureau\u201d. The different combinations of gray blocks augment the vivid physicality of this production, offering different possibilities of movement on and among them, whether in romantic or more comic moments. Each scene change takes place in full view of the audience, with the cast clearing and building the set \u2013 all to music, of course.<\/p>\n<p>Here is where I think Sherman is at his most subversive. While the charging rhinoceroses get Wagner, each scene change takes place to a lovely, beloved song from the Israeli song book, as performed by the Gevatron chorus. Songs have an undeniable power to inspire, and to unite people. There\u2019s a reason people sing during protest marches. It\u2019s easy to be swept away with the flow of the music. During one scene change, Jean led the song, urging the audience to clap in rhythm. And everyone clapped along. We joined the herd.<\/p>\n<p>More than half a century after it was first written, Ionescu\u2019s play and its social critique remains relevant and though-provoking. It\u2019s not easily digestible fare, it\u2019s very text-heavy. Sherman\u2019s staging lightens the load, and emphasizes the emotional trajectory. Most intriguing is B\u00e9renger, the least heroic hero imaginable. Tom Hagi brings out the character\u2019s vulnerability, and desire to do good, to do better, despite constantly making mistakes. B\u00e9renger\u2019s strength is his ability to admit his weakness and fear.<\/p>\n<p>A note for English speakers:<\/p>\n<p>Rhinoceros has in a way become part of the popular culture in Israel, as the Hebrew word for the animal, karnaf, has come into usage as a verb \u2013 <a href=\"https:\/\/www.haaretz.co.il\/magazine\/the-edge\/mehasafa\/2013-01-18\/ty-article\/0000017f-db85-db22-a17f-ffb54a3e0000\" target=\"_blank\" rel=\"noopener\">lehitkarnef<\/a> \u2013 which means to follow the herd, to conform and submit to a certain norm. In relation to nature, this usage is ironic, as rhinoceroses are solitary animals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Beit Lessin production of Eug\u00e8ne Ionesco\u2019s Rhinoceros, directed by Yair Sherman, with a translation into Hebrew by Eli Bijaoui, is visually compelling, fun and playfully subversive, with an imaginative and significant soundscape. The creative team has done a brilliant job of re-imagining Ionescu\u2019s classic play, and the entire cast delivers strong performances. The play [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":55245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[608,628,627,629],"class_list":["post-55244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theater","tag-beit-lessin","tag-eugene-ionescu","tag-rhinoceros","tag-yair-sherman"],"_links":{"self":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/55244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55244"}],"version-history":[{"count":0,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/posts\/55244\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=\/wp\/v2\/media\/55245"}],"wp:attachment":[{"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.midnighteast.com\/mag\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}